As a filmmaker and interdisciplinary artist, I’m drawn to themes that sit at the intersection of personal and collective identity. My work often examines memory, conflict, and transformation, especially within the contexts of migration, generational inheritance, and the nuanced politics of belonging. Through narrative and nonfiction forms, I explore the emotional undercurrents of girlhood, queerness, diasporic experience, and social friction, particularly as they are expressed in intimate, everyday gestures.

I use visual storytelling to make sense of the forces, both subtle and systemic, that shape how we move through the world. My background as a Jamaican immigrant raised in the U.S. deeply informs the questions I ask through film: what does it mean to carry inherited beliefs, roles, or silences? How does identity and voice shift when tethered to multiple cultural homes? Whether working in documentary or fiction, I gravitate toward storytelling that challenges familiarity and makes space for ambiguity and transformation.

I create work that resists flattening, that complicates rather than concludes, and that builds emotional resonance through sensory, character driven approaches. At the center of all my projects is the desire to make visible what is often felt but rarely named.